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Discografia - Caetano Veloso (1967-2004).rar

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Caetano Veloso (from Bahia) expanded the horizons of Brazilian music by turning it into a highly personal experience.
Veloso debuted with a collaboration with Gal Costa, Domingo (1967), which was still in the tradition of bossanova
(Coracao Vagabundo), but in the same year he wrote Alegria Alegria (1967) and Tropicalia (1967), two songs that,
together with the album Tropicalia ou Panis et Circensis (1968), defined tropicalismo. Veloso found his most poetic
voice in the two following albums, from the "psychedelic" Caetano Veloso (1968), containing Superbacana, to his most
accomplished collection, Caetano Veloso (1969), containing Os Argonautas and Irene. They introduced an austere,
vulnerable and introverted voice. After being expelled from Brazil, Veloso proved that he was not afraid to experiment
with the format of the anglosaxon singer-songwriters of the era with Caetano Veloso (1971) and the moving Transa (1972).
In fact, Araca Azul (1971) was an experimental collage of noise, tribal drumming and musical parodies. Upon returning to
Brazil, Veloso wrote most of his classics: Blue Araca', Tigresa, Um Indio, Terra, Lua de Sao Jorge, Beleza Pura, Menino
do Rio, Sampa. The simple and quiet Qualquer Coisa (1975) Joia (1975), that originated from the same sessions, were the
best album of the period. Most of the others were live or full of covers.

Doces Bararos (1976) was a supergroup made up of Gil, Veloso, Gal Costa and Maria Bethania.









Transfigured elements of funk and reggae percolated into Bicho (1977) and especially Muito (1978), but Cinema
Transcendental (1979), Outras Palavras (1981), with Rapte-me Camaleoa, Cores Nomes, Uns, Velo' were inferior albums.
Simple and relaxed ballads such as Meu Bem Meu Mal, Eclipse Oculto, Voce E' Linda, Podres Poderes, marked Veloso's
middle age.



His "no-wave" album Estrangeiro (1989), containing O Estrangeiro, featured Arto Lindsay, Bill Frisell and Marc Ribot,
and marked the beginning of a new phase in his career. Circulado (1991) featured Arto Lindsay, Marc Ribot, Butch Morris,
Melvin Gibbs, but was less experimental. But then Veloso wasted a collaboration with Gil to record Tropicalia 2 (1992),
while Fine Estampa (1994) was more form (sophisticated arrangements) than content. Livro (1998) summarized the
experiments of the decade with a lush, eclectic sound. Noites do Norte (2001) was a more overt appropriation of American
styles, from hip-hop to rock, a program made explicit by A Foreign Sound (Nonesuch, 2004).



In the 1990s, he also directed a film and published a book. He reached a new level of sophistication (but a rather
harmless one) with Prenda Minha (1999), Noites do Norte (2000) and the film soundtrack Orfeu (2000).













Discografia [modifica]







1967 - Domingo (con Gal Costa) Philips









1968 - Caetano Veloso Philips







1968 - Tropicália ou Panis et Circensis (con Gilberto Gil, Os Mutantes, Nara Leão, e Gal Costa) Philips







1968 - Ao Vivo (with Os Mutantes) Philips









1969 - Caetano Veloso Philips







1971 - Caetano Veloso







1972 - Transa Philips







1972 - Barra 69 ao vivo na Bahia (with Gilberto Gil) Philips







1972 - Caetano e Chico - Juntos ao Vivo (with Chico Buarque) Phonogram







1973 - Araçá Azul Phonogram/Philips

1974 - Temporada de Verão - ao vivo na Bahia (with Gilberto Gil and Gal Costa)Phonogram







1975 - Jóia Philips







1976 - Doces Bárbaros (with Gal Costa, Gilberto Gil and Maria Bethânia)Philips







1977 - Bicho Philips

1977 - Muitos Carnavais Phonogram/Philips







1978 - Muito (dentro da estrela azulada) Philips







1979 - Cinema Transcendental Polygram/Philips

1981 - Outras Palavras Philips

1982 - Cores, Nomes Philips







1983 - Uns Philips







1984 - Velô Philips

1986 - Totalmente Demais Polygram/Philips [live]







1986 - Caetano Veloso Nonesuch

1987 - Caetano Philips







1989 - Estrangeiro Philips







1991 - Circuladô Polygram

1992 - Circuladô Vivo Polygram







1993 - Tropicália 2 (with Gilberto Gil) Polygram/Philips

1994 - Fina Estampa Polygram

1994 - Fina Estampa ao Vivo Polygram







1997 - Livro Polygram (problem with WMP; good with VLC)







1999 - Prenda Minha Polygram

1999 - Omaggio a Federico e Giulietta Universal Music









2000 - Noites do Norte Universal Music

2001 - Noites do Norte ao vivo Universal Music







2002 - Eu não peço desculpas (with Jorge Mautner) Universal Music









2004 - A Foreign Sound Universal Music 

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